DUB SOUNDSCAPES AND SHATTERED SONGS IN JAMAICAN REGGAE PDF

Dub: Soundscapes and Shattered Songs in Jamaican Reggae. MICHAEL. E. VEAL. Middletown CT: Wesleyan University Press, x + pp. (Paper US$ . Dub: Soundscapes and Shattered Songs in Jamaican Reggae by Sonic Bodies: Reggae Sound Systems, Performance Techniques and. Middletown, CT: Wesleyan University Press () pp., Paperback, $ The task of documenting and conveying the significance of a.

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[PDF] Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music/Culture) Read Online

Accordingly, Veal situates dub in deep, rich context, explaining its significance for Jamaican society and Jamaican music and making a strong if familiar argument for dub’s impact on music production the world over, in popular and experimental spheres alike. Jan 23, Graham rated it really liked it.

jakaican The power of silence was something that really resonated in that time of my life, as I was transitioning from a youngster full of political hubris and eager to speak on it, to a more moderated mature ing adult who saw the gravity of sometimes NOT needing to say something. Tracking the Living African Heartbeat.

Dub: Soundscapes and Shattered Songs in Jamaican Reggae by Michael E. Veal

Refresh and try again. Aug 05, Jesse rated it really snd it. E rated it it was amazing Oct 10, It also had much to say on the impact that Dub has had on a plethora of music that followed it.

The only real issue I had with the book are the constant comparisons of songs with their dub remix versions, replete with blow-by-blow verbal descriptions of what’s happening in the song, in technical musicologist terminology. Paul Corupe rated it liked it Nov 05, The author takes pains to mention that there has soundsscapes before been a book dedicated solely to jamakcan genre of Dub, and I am very grateful that the subject has been taken up and that this book exists.

Built on the Johns Hopkins University Campus. This isn’t necessarily a bad thing, though some of the language can get overwhelming ajd those inexperienced in this field, but to re Solid overview of dub that touches on musicology, history, and post-colonial theory to explain the style’s prominence and lasting influence.

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In lieu of an abstract, here is a brief excerpt of the content: This isn’t necessarily a bad thing, though some of the language can get overwhelming to those inexperienced in this field, but to really appreciate it soundscaped has to have access to both the songs described or it just ends up seeming a bit hard to grasp.

Book titles OR Journal titles. To see what your friends thought of this book, please sign up. Unfortunately, the rather compelling histories of Dub’s origins, context and key players were offset by an overly academic analysis of shartered impact.

Despite its limited title, it is a well written history of reggae without rehashing material form other books on reggae. All the talk of circuits, knobs, and switches can distract one from the fundamental reality that what these musicians were doing was synthesizing a new popular art form, creating a space where people could come together joyously despite the harshness that surrounded them.

The reason that I think those two artists in particular were important to have brought up, is that their influence from Du This book had much to say on the techniques used to create some of the most distinctive soundscapes in recorded music. Apr 11, Sheehan rated it it was amazing. Jun 22, Darren Hemmings rated it it was amazing Shelves: Something that ties together American Soul to Reggae to Dancehall to hip-hop to electronica to ambient to jungle, ad infinitum Oct 21, Adam rated it it was amazing.

I most enjoyed the features on specific engineers, who are rarely credited for their innovations.

Project MUSE Mission Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Wish it had recommended playlists. Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.

In early s Jamaica, Osbourne “King Tubby” Ruddock, Lee “Scratch” Perry, and several other engineers took recordings of popular reggae songs or rhythm tracks and applied such studio tricks as echo The writing isn’t enthralling, but it’s not souncscapes to shattreed. For those looking for what I was, I recommend skipping the intro, reading chaptersand then the appendix. Oh I see everything in relation to dub now, the compositional insertions, mood-shifts of the dub versions, and most importantly, what is said jamaicam the absences and pauses.

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As the author puts it: I suppose that I had just hoped that the first volume on the subject would be a pure history, concerned more with chronicling eub who, what, when, where and how of the music rather than using it as a launching point for a pedantic examination of its social and cultural implications.

This music didn’t really sound like Dub, but took to souhdscapes the creative process of playing the studio like an instrument, which to me is more interesting than music that is directly derivative.

Dub: Soundscapes and Shattered Songs in Jamaican Reggae

Gina rated it it was ok Feb 22, Jun 21, Colin Masso rated it it was amazing. Soundscapes and Shattered Songs in Jamaican Reggae. That being said, between some tips from this book, Internet searches, Pandora’s dub channel, and watching the film Rockers recommendedI’ve had an enjoyable, deeper excursion into the world of dub. Matthew rated it it was amazing Sep 10, Dub involves remixing existing recordings–electronically improvising sound effects and altering vocal tracks–to create its unique sound.

Putting questions of under theorization aside for the moment, the crowning achievement of Veal’s study is without a doubt the way he brings to light the distinctive technical-musical efforts and accomplishments of reggae’s most influential producers and engineers, from well-known and heralded producers such as King Tubby, Lee “Scratch” Perry, King Jammy, [End Page ] and Scientist to such relatively unsung heroes as Errol Thompson and Sylvan Morris, the longtime engineer at Coxsone Dodd’s groundbreaking, pacesetting Studio One.

I’m not against academic writing – this is just a potential diamond in the rough that needs much more polish to be clear. If you would like to authenticate using a different subscribed institution that supports Shibboleth authentication or have your own login and password to Project MUSE, click ‘Authenticate’.